Design Poul Henningsen.
The PH 3½-2½ is a table lamp with an extremely high level of detail, based on Poul Henningsen's original concept dating back to the late 1920's. In particular, the shade holder is an extraordinary detail that testifies to the precision applied to each and every lamp. The frame is painted silk matt brown, giving the lamp the same appearance as the burnished brass lamps typical of the period. For environmental reasons, this burnishing process is no longer used today, but the new finish is almost identical and not as vulnerable to external influences as the original.
The table lamp is fitted with a metal top shade, whose white lower surface reflects the light gently downwards. In addition to ensuring improved effectiveness of the light source, the two mouth-blown lower shades provide pleasant, glare-free lighting in the room as a whole.
Yellow, red, green and white.
Diam. 33cm, H:45cm
60W max. - E14
Jean-Marie Massaud design. This elegant desk lamp, with its minimalist design, produces soft, glare-free light, prefect for focusing on work, or reading. The angle of the light is adjustable thanks to its magnetic base, which allows for optimal lighting in every situation.
Ilse Crawford design. There is a reason why the Studioilse desk lamp has been awarded major design prices. Oddly decorative and very functional, the lamp is ideal for reading or office work lighting. The combination of different materials gives it an elaborate yet unpretentious look.
Poul Henningsen design, Louis Poulsen collection. The PH 2/1 table lamp can be moved from table to table, desk to desk or shelf to shelf, consistently diffusing a soft and comfortable light, whatever the environment surrounding it. The PH2/1 lamp is therefore the perfect source of ambient lighting, but can also be used to highlight the room’s dimensions.
Erik Magnussen design for Stelton. The Stelton oil lamp in frosted glass provides beautiful mesmerizing light and encourages relaxation. It can be used outdoors to illuminate garden tables and patios in summer, or indoors to create a warm and friendly atmosphere in winter.
Poul Henningsen design for Louis Poulsen. The PH 4/3 table lamp with its simple, timeless design, is the ideal lamp for reading or working under soft, glare-free light. The PH 4/3 will easily blend into any type of environment, both modern and classic.
Arne Jacobsen design for Louis Poulsen. Today considered an icon of Scandinavian design, the AJ table lamp stands for elegance and simplicity. It will easily find its place on a desk, table or worktop in any room, for precise and controlled illumination. Now available in 8 different colors, it will blend into any type of interior.
Verner Panton design, for Louis Poulsen. The Panthella table lamp diffuses soft and pleasant light, directed mainly downwards. Its organic and smooth appearance contributes to creating a relaxing and homely atmosphere wherever it is placed, in a living room, for reading, or in an office or bedroom as ambient lighting. Panthella also exists as a floor lamp.
Poul Henningsen design for Louis Poulsen, 1926. The PH 3/2 table lamp in white opal glass, is both modern and elegant and diffuses soft glare-free light. It looks just as good placed on a low table as it does on a shelf, chest of drawers or desk for high-quality ambient lighting.
Seppo Koho design. Designed in wood and entirely handcrafted, the Secto or 4220 table lamp will embellish any interior with a contemporary or classic design. Placed on a table or chest of drawers, it will provide pleasant area lighting. The light diffused is soft and comfortable.
Aage Petersen design, 1970. The Klint table lamp is a functional lamp with a classic design. Its black stand accented with brass details gives it a timeless appeal, and allows it to blend into any type of environment. Its white pleated shade lets out a soft beam. Can be placed on an entrance, bedside or living room table.
Verner Panton design, 1977. The onion lamp combines quality of light and originality of the structure. It can be placed on the floor, in a staircase or on a table for soft, dimmed lighting. The indirect lighting, diffused between the strips, is harmonious and brings a sense of lightness to the room.
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