Design Poul Kjaerholm, 1963 The PK54 dining table is an encounter between two geometric shapes: the square and the circle. The table becomes a true sculpture through the elegance and purity of its lines. Poul Kjaerholm has also combined two materials together: the base is in satin brushed stainless steel and its top in marble or granite.
Hee Welling design for HAY. The idea behind the About A Chair-collection has been to develop a chair with conspicuous simplicity. A chair which works just as well around the dining table as around a conference table, in a canteen or at the office.
The simple and beautiful Finn Juhl sideboard from 1955 combines exclusive wood materials with the colors of the Goethe color wheel. The sideboard is made with white / yellow, white / light blue, oak, teak, walnut or Oregon pine sliding doors and matching trays in yellow / red or blue tones.
Hans J. Wegner design by Carl Hansen. Beautiful elliptical-shaped dining room table, perfect for daily use. The table combines a modern and natural look with a high level of functionality. It quickly adapts to the number of guests thanks to its well-thought out extension system. The CH20, CH33 and CH24 chairs by the same designer perfectly complement the...
Designer: Per Borre, 1979The unique ASTRAL bench was designed in 1979 and has won a host of awards for its sculptural shape and innovate construction. The bench curves at a 128 degree radius, echoing a natural geometry that softens the linear construction of this piece.
Alvar Aalto design by Artek, 1937. The elegant design and decorative finishes of the Artek A330S, or Golden Ball pendant make it particularly appreciated in living rooms and dining rooms. The unique shape of the lampshade allows for even distribution ofpleasant, glare-free light.
Poul Henningsen design for Louis Poulsen. The elegant PH 4/3 pendant emits pleasant soft glare-free light. Placed over a dining room table, it will gently illuminate its surroundings while creating a calm and serene atmosphere throughout the room.
James Irvine design. The Irvine w082 desk lamp is wonderfully simple. Its minimalist design allows it to fulfill the functions of a lamp, no more, no less. Irvine w082 provides warm white light with a dimmer, and can be used either at home, or at the office.
Seppo Koho design. Entirely handcrafted out of wood, the Secto 4201 pendant will naturally embellish any interior with a contemporary or classic design. Smaller than the 4200 version, it can be placed in a cluster over a counter top or table for high-quality lighting. The light diffused is soft and dimmed, for perfect visual comfort.
Produced by Danish manufacturer Le Klint, the Carronade table lamp is the first model of that sleek and functional series. Its cannon shaped diffusor rests on a smooth wooden base, aided by small brass discs on either side that anabling to change the light direction.
The VL38 created in the 40’s by the renown modernist architect Vihelm Lauritzen and originally designed for the « Radiohuset » in Copenhagen as a table lamp, was used in the recording studios. The model was delevopped in collaboration with Louis Poulsen, and is newly relaunched by the same brand, declined in a serie of three models wich also includes the...
Shoichi Uchiyama design, for Louis Poulsen. Enigma 545 is a Japanese inspired pendant, which produces soft and diffuse indirect lighting, mainly directed downwards. The lamp looks its best in large rooms, such as living or dining rooms, as a delicate source of general lighting
Anu Moser design for Louis Poulsen. The delicate yet simple design of the Moser lamp allows it to easily blend into any environment, be it modern or classic. Above a table, desk, worktop, or in a bedroom, the Moser pendant, with its soft and diffuse light, will quickly establish itself as an invaluable source of ambient lighting.
Klaus Rath design for Georg Jensen, 2007. HEART take a little love with you, everywhere you goThe HEART keyring is an elegant rendering of love’s greatest symbolAccording to popular belief, the number of keys on one’s keyring denotes the amount of responsibility in one’s life.
Designed by Danish designer duo Sebastian Holmbäck and Ulrik Nordentoft for Stelton, Emma's electric kettle is inspired by the golden age of Danish design in the 1950s and '60s. The lines are simple and elegant. The natural beech handle recalls the Nordic spirit.
Henning Koppel design for Georg Jensen, 1970. This collection of functional clocks and weather stations by Henning Koppel is beautifully simple and elegant, and was created to subtly decorate modern interiors. Combine clock, barometer, thermometer and hydrometer to create a complete indoors weather station. Perfect as a wedding gift that will last through...
Scandinavian design has its origins in the special relationship between the Nordic countries - Denmark, Norway, Sweden and Finland - with the environment. Nature is, in fact, the main source of inspiration for artists and Scandinavian designers and results in a ubiquitous furniture and wooden objects, with clean lines.
Scandinavian design, as we know it today, comes from the will of the designers of the 1920s and 1930s - Kaare Klint, Mogens Koch and Alvar Aalto - to create aesthetic, functional and accessible to all furniture, building focus on the specific needs of the human body.
The spirit of Scandinavian design can be defined in the creation of beautiful objects whose purpose is to simplify and improve everyday life in the home.
It was also during the 20s and 30s Kay Bojesen specialist figurines and wooden animals and Georg Jensen, the Danish master silversmith, created their finest works.
If the furniture and knew immediately a huge success in their respective countries, it was only after the Second World War that the phenomenon of Scandinavian design really gained momentum internationally. The golden age of Nordic design was without question the 50s and 60s many exhibitions worldwide propelled innovative creations of the most talented Scandinavian designers, including Arne Jacobsen, Borge Mogensen, Verner Panton and Hans Wegner, internationally. This is the case of the famous Panton chair by Verner Panton in the early 50s, the first chair made entirely of molded plastic, or later the Egg Chair by Arne Jacobsen chair with its wrap-avant-garde and vibrant colors.
The success of Scandinavian creations internationally also strongly influenced the modernist movement in Europe and North America.
Since 1990, groups of young designers gave a new face to Scandinavian design bringing modernist ideas and experimenting with new forms and materials.
Scandinavian design has established itself as a timeless trend. Some furniture, lighting and cult objects of Scandinavian designers of yesteryear have become true icons and continue to be produced and used worldwide. Everyone today knows the famous Egg chair by Arne Jacobsen, CH24 Wishbone chair by Hans Wegner and Poul Henningsen PH lamps. The Nordic countries and perpetuate their unique know-how in the world for manufacturing quality furniture: woodworking, high cabinet, manufacturing and garment fabrics, weaving tradition (Sweden) ... With the strength of the many artisans teach their know-how from generation to generation.
Danish shop offers both the greatest classics that have survived the times, staying in the excellence of their time, and also new Scandinavian designers who meet the requirements of quality products.
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