Vivianna Torun Bülow-Hübe for Georg Jensen, 1968. This beautiful pendant from the Mobius collection by Georg Jensen is of an intriguing beauty and can easily be worn every day. Inspired by the Mobius ribbon, which infinite shape fascinates mathematicians and artists alike, its geometrical beauty is both modern and timeless. A perfect gift for yourself, or...
Both modern and traditional, colorful yet understated, the TAK chair, easily blends into interiors of all styles, and can either complete a dining room table with elegance, or be used solo in a bedroom or office. Its stability and sturdiness also make it an excellent choice for public spaces such as town halls, hospitals and airports.
Erik Magnussen design, for Stelton, 1977. This innovative and colorful vacuum jug combines functionality and ease of use to let you take full advantage of your moments of relaxation. The Stelton flask is perfect for welcoming friends at home, or for taking on a picnic, to always have a warm or cool drink within easy reach.
Hee Welling design for HAY. The idea behind the About A Chair-collection has been to develop a chair with conspicuous simplicity. A chair which works just as well around the dining table as around a conference table, in a canteen or at the office.
Klaus Rath design for Georg Jensen, 2007. HEART take a little love with you, everywhere you goThe HEART keyring is an elegant rendering of love’s greatest symbolAccording to popular belief, the number of keys on one’s keyring denotes the amount of responsibility in one’s life.
Alvar Aalto design by Artek, 1954. The Artek A330 pendant is ideal for use above a dining room table, or over a kitchen worktop. The light diffused is strong enough to be functional, without ever hurting the eyes. The shade is very elegant in polished brass or white aluminum and suits all types of interiors, from modern to classic.
The " Tall Boy" chest of drawers is a narrow piece of furniture with a large storage capacity. Created in 1959 by famous Danish designer Arne Vodder, this piece has become, since then, a classic embodying the mid-twentieth century Scandinavian design.
Hans J. Wegner design for Carl Hansen. The L37 pendant, or simply « The Pendant », is a great classic in the Danish design world. Vertically adjustable thanks to its integrated handle, the elegantly designed L37 pendant is particularly suitable for rooms with high ceilings, and looks especially good hung above a dining room table or kitchen worktop. A...
Poul Henningsen design for Louis Poulsen. The PH 4/3 table lamp with its simple, timeless design, is the ideal lamp for reading or working under soft, glare-free light. The PH 4/3 will easily blend into any type of environment, both modern and classic.
Alvar Aalto design by Artek, 1937. The elegant design and decorative finishes of the Artek A330S, or Golden Ball pendant make it particularly appreciated in living rooms and dining rooms. The unique shape of the lampshade allows for even distribution ofpleasant, glare-free light.
Poul Henningsen design for Louis Poulsen, 1926. The PH 4 ½ - 3 ½ ‘s diffuse light makes it the ideal lamp for living rooms, and can be used to either gently illuminate its surroundings, or as a reading lamp placed next to a sofa or chair.
Poul Henningsen design for Louis Poulsen, 1926. The PH 2/1 wall lamp is an elegant and modern lamp made of white glass. It softly diffuses glare-free light. The lamp can be placed in kitchens, living rooms or dining rooms for high quality general lighting
Nina Koppel design for Georg Jensen, 1970. The Fusion ring by Nina Koppel is an invitation to creativity. The combination of the different elements, either in white, yellow or red gold, plain or adorned with diamonds, forms a beautiful ring. Fusion was designed for sophisticated people, wanting to give their jewelry a distinctive and personal touch. Ideal...
Vivianna Torun Bülow-Hübe design for Georg Jensen, 1969. Half watch half bracelet, Vivianna seduces with its simple lines and symbolic finishes, which draw your attention to the beauty of the moment. Such a strong invitation to live in the present that it is difficult to resist. The sophisticated lines and beautiful curves will appeal to women eager to...
Henning Koppel design for Georg Jensen, 1970. This collection of functional clocks and weather stations by Henning Koppel is beautifully simple and elegant, and was created to subtly decorate modern interiors. Combine clock, barometer, thermometer and hydrometer to create a complete indoors weather station. Perfect as a wedding gift that will last through...
Hiromichi Konno design for Georg Jensen, 2005.Designer Hiromichi Konno had a mission: to make the awkward process of exchanges cards at the end of a meeting smoother. He spent time studying the hand and how the hand and fingers move when a card is removed from its case.
Scandinavian design has its origins in the special relationship between the Nordic countries - Denmark, Norway, Sweden and Finland - with the environment. Nature is, in fact, the main source of inspiration for artists and Scandinavian designers and results in a ubiquitous furniture and wooden objects, with clean lines.
Scandinavian design, as we know it today, comes from the will of the designers of the 1920s and 1930s - Kaare Klint, Mogens Koch and Alvar Aalto - to create aesthetic, functional and accessible to all furniture, building focus on the specific needs of the human body.
The spirit of Scandinavian design can be defined in the creation of beautiful objects whose purpose is to simplify and improve everyday life in the home.
It was also during the 20s and 30s Kay Bojesen specialist figurines and wooden animals and Georg Jensen, the Danish master silversmith, created their finest works.
If the furniture and knew immediately a huge success in their respective countries, it was only after the Second World War that the phenomenon of Scandinavian design really gained momentum internationally. The golden age of Nordic design was without question the 50s and 60s many exhibitions worldwide propelled innovative creations of the most talented Scandinavian designers, including Arne Jacobsen, Borge Mogensen, Verner Panton and Hans Wegner, internationally. This is the case of the famous Panton chair by Verner Panton in the early 50s, the first chair made entirely of molded plastic, or later the Egg Chair by Arne Jacobsen chair with its wrap-avant-garde and vibrant colors.
The success of Scandinavian creations internationally also strongly influenced the modernist movement in Europe and North America.
Since 1990, groups of young designers gave a new face to Scandinavian design bringing modernist ideas and experimenting with new forms and materials.
Scandinavian design has established itself as a timeless trend. Some furniture, lighting and cult objects of Scandinavian designers of yesteryear have become true icons and continue to be produced and used worldwide. Everyone today knows the famous Egg chair by Arne Jacobsen, CH24 Wishbone chair by Hans Wegner and Poul Henningsen PH lamps. The Nordic countries and perpetuate their unique know-how in the world for manufacturing quality furniture: woodworking, high cabinet, manufacturing and garment fabrics, weaving tradition (Sweden) ... With the strength of the many artisans teach their know-how from generation to generation.
Danish shop offers both the greatest classics that have survived the times, staying in the excellence of their time, and also new Scandinavian designers who meet the requirements of quality products.
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