The PK 22 lounge chair is an iconic creation of the scandinavian modernist design, its has a graceful and minimalist line. It is one of the leading creation of the designer Poul Kjaerholm, its immediate comercial success and the recognition of the design field professionals,awarded by the Grand Prix of Milan Triennale's in 1957, will definitly ensure the...
Alvar Aalto design by Artek, 1937. The elegant design and decorative finishes of the Artek A330S, or Golden Ball pendant make it particularly appreciated in living rooms and dining rooms. The unique shape of the lampshade allows for even distribution ofpleasant, glare-free light.
The Egg hanging chair is an icon of danish design, sculptural and elegant with a destinctive and original design, its shell is comfortable and protective, wether for an indoor or outdoor use in the summer it is a "must have".
Hee Welling design for HAY. The idea behind the About A Chair-collection has been to develop a chair with conspicuous simplicity. A chair which works just as well around the dining table as around a conference table, in a canteen or at the office.
The pendant PH 3 1/2 - 3 designed in 1929 by Poul Henningsen is a part of the very beautiful lamps of the "PH" family (initial of the designer) with a multi-part stretched steel shade which created a direct lighting to focus on an object or a surface and which can be used in any kind of spaces to be enlighted. (kitchen, room, dining room ..) Available in...
Arne Jacobsen design for Louis Poulsen. The AJ Discus or Eklipta wall lamp will elegantly illuminate any room in your home, by creating a warm and welcoming atmosphere. The possibilities are endless: one single lamp or a small cluster, mounted on a wall or ceiling, in a bathroom, kitchen, living room or staircase… Its high quality and diffuse light will...
Hans J Wegner design, 1949 for Carl Hansen. The CH24 chair is simple and functional and is one of the most emblematic pieces of furniture of the 20th century. Inspired by the Chinese imperial style, under the Ming Dynasty, Wegner above all wanted to create a chair which would look beautiful under every angle. Perfect for a dining room or kitchen, but can...
Alvar Aalto design for Artek, 1936. Screen 100 is a panel wood room divider with a natural design, which will blend into any type of décor. The screen is suitable for occasional use or for permanently sectioning off part of a room. Ideal for curving around a sofa-bed in a living room, or for defining an office area in a bedroom.
Arne Jacobsen design for Louis Poulsen. Today considered an icon of Scandinavian design, the AJ floor lamp stands for elegance and simplicity. It will easily find its place in a living room, next to a sofa or armchair for precise and controlled illumination. Now available in 8 different colors, it will blend into any type of interior.
Grip table by Troels Grum Schwensen. At the center of the table structure there is a strong floating beam wich has the unique ability of creating a long free starroling table. The beam can support up to 5 meters length of table top on only 2 pairs of legs.
Hans J. Wegner design, Carl Hansen, 1962. The simplicity and elegance of the Wegner CH327 table means it can be used as a dining room or living room table, but is also highly appreciated as a desk. Whatever your choice, it will transform your interior by adding a pleasant, natural touch. Available with optional extending leaves.
The PK52 elegant and refined modernist desk was originally designed for the Royal Danish academy of fine arts by the renown modernist pioneer the designer Poul Kjaerholm. The elegant association of materials and its simple lines allow its association with contemporary or classic furnitures as well as spaces.
Alvar Aalto design for Artek. The structured design of the Umbrella Stand 115 by Alvar Aalto makes this piece a beautiful accent at your front or back door but its compact size allows it to be easily tucked next to a wall or in a small corner.
Verner Panton design, 1977. The onion lamp combines quality of light and originality of the structure. It can be placed on the floor, in a staircase or on a table for soft, dimmed lighting. The indirect lighting, diffused between the strips, is harmonious and brings a sense of lightness to the room.
Seppo Koho design. Entirely handcrafted out of wood, the Secto 4201 pendant will naturally embellish any interior with a contemporary or classic design. It can be placed over a dining room table or counter for high-quality lighting. The light diffused is soft and dimmed, for perfect visual comfort.
Poul Henningsen design for Louis Poulsen, 1926. The PH 3/2 table lamp in white opal glass, is both modern and elegant and diffuses soft glare-free light. It looks just as good placed on a low table as it does on a shelf, chest of drawers or desk for high-quality ambient lighting.
Poul Henningsen design for Louis Poulsen, 1926. Well known for its unique sculptural style, the PH Snowball pendant continues to inspire interior designers around the world. Both lamp and artistic masterpiece, it is suitable for the general lighting of small rooms and offers high quality lighting of an incredible beauty.
Erik Hansen design, 1952. The Le Klint wall lamp is an elegant and functional wall lamp, with a classic, timeless design. It was made to be placed over a bed or in a living room as a reading lamp, but is also suitable for the high-quality ambient lighting of any type of environment.
The VL38 created in the 40’s by the renown modernist architect Vihelm Lauritzen and originally designed for the « Radiohuset » in Copenhagen, was used in the recording studios. The model was delevopped in collaboration with Louis Poulsen, and is newly relaunched by the same brand, declined in a serie of three models wich also includes a floor lamp and a...
Hans J. Wegner design for Carl Hansen. The L37 pendant, or simply « The Pendant », is a great classic in the Danish design world. Vertically adjustable thanks to its integrated handle, the elegantly designed L37 pendant is particularly suitable for rooms with high ceilings, and looks especially good hung above a dining room table or kitchen worktop. A...
Designed by Danish designer duo Sebastian Holmbäck and Ulrik Nordentoft for Stelton, Emma's electric kettle is inspired by the golden age of Danish design in the 1950s and '60s. The lines are simple and elegant. The natural beech handle recalls the Nordic spirit.
Vivianna Torun Bülow-Hübe design for Georg Jensen, 1969. Half watch half bracelet, Vivianna seduces with its simple lines and symbolic finishes, which draw your attention to the beauty of the moment. Such a strong invitation to live in the present that it is difficult to resist. The sophisticated lines and beautiful curves will appeal to women eager to...
Scandinavian design has its origins in the special relationship between the Nordic countries - Denmark, Norway, Sweden and Finland - with the environment. Nature is, in fact, the main source of inspiration for artists and Scandinavian designers and results in a ubiquitous furniture and wooden objects, with clean lines.
Scandinavian design, as we know it today, comes from the will of the designers of the 1920s and 1930s - Kaare Klint, Mogens Koch and Alvar Aalto - to create aesthetic, functional and accessible to all furniture, building focus on the specific needs of the human body.
The spirit of Scandinavian design can be defined in the creation of beautiful objects whose purpose is to simplify and improve everyday life in the home.
It was also during the 20s and 30s Kay Bojesen specialist figurines and wooden animals and Georg Jensen, the Danish master silversmith, created their finest works.
If the furniture and knew immediately a huge success in their respective countries, it was only after the Second World War that the phenomenon of Scandinavian design really gained momentum internationally. The golden age of Nordic design was without question the 50s and 60s many exhibitions worldwide propelled innovative creations of the most talented Scandinavian designers, including Arne Jacobsen, Borge Mogensen, Verner Panton and Hans Wegner, internationally. This is the case of the famous Panton chair by Verner Panton in the early 50s, the first chair made entirely of molded plastic, or later the Egg Chair by Arne Jacobsen chair with its wrap-avant-garde and vibrant colors.
The success of Scandinavian creations internationally also strongly influenced the modernist movement in Europe and North America.
Since 1990, groups of young designers gave a new face to Scandinavian design bringing modernist ideas and experimenting with new forms and materials.
Scandinavian design has established itself as a timeless trend. Some furniture, lighting and cult objects of Scandinavian designers of yesteryear have become true icons and continue to be produced and used worldwide. Everyone today knows the famous Egg chair by Arne Jacobsen, CH24 Wishbone chair by Hans Wegner and Poul Henningsen PH lamps. The Nordic countries and perpetuate their unique know-how in the world for manufacturing quality furniture: woodworking, high cabinet, manufacturing and garment fabrics, weaving tradition (Sweden) ... With the strength of the many artisans teach their know-how from generation to generation.
Danish shop offers both the greatest classics that have survived the times, staying in the excellence of their time, and also new Scandinavian designers who meet the requirements of quality products.
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